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Comp Upgrade: B&C DE250 or BMS 4540ND?

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Moo View Drop Down
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    Posted: 23 February 2012 at 2:53am
I have a pair of concentric High mid horns with Celestion CDX1-1745 Comps.
They are currently in the celestion 180mm horns with the rubber inserts.

They are passively crossed at 2k, which is slightly lower than recommended by celestion, and I am hearing a nasty bit of distortion / honk at 2.5k which I usually have to EQ out.
I can't crossover higher, because the 2k is already slightly higher than the 12" horns will go.

My question is will I get rid of the problem simply by going to a bigger horn like the RCF H100, Or will I get a significant improvement by getting better comps.

If new comps, then which do you chaps prefer:  B&C DE250 or BMS 4540ND ?

Thanks
Mark.


Edited by Moo - 23 February 2012 at 3:03am
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Tony Wilkes View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony Wilkes Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 6:20am
4540 is a screw fixing, the BMS  equivalent of the DE250 is the 4538. Either this or the B&C will be an improvement on the 1745's. The 1745 is not a bad comp it just seems to break-up early.

For a really nice horn that will not break the bank and would allow you to cross a bit lower have a look at the Faital STH100

I would try either of the above comps on the Celestion horns first.

Tony
www.forteaudio.eu - BMS - db-Mark Processors
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Moo Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 8:33am
Thanks Tony. I will have a lookI at your suggestions.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Moo Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 9:13am
Sorry.
I have to make another 2 posts before I can receive PMs.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Moo Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 9:13am
Sorry.
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MarjanM View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote MarjanM Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 11:12am
Actually i think bms 4524 is what can replace DE250 :-).
Out of all BMS comps 4538 is my least favorite.


Edited by MarjanM - 23 February 2012 at 11:16am
Marjan Milosevic
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony Wilkes Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 11:16am
You must be using them wrong then :)

Have you tried the 4547 yet?

Tony
www.forteaudio.eu - BMS - db-Mark Processors
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Post Options Post Options   Thanks (0) Thanks(0)   Quote MarjanM Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 11:36am
Naah, i just tested it against 4550 and 4552 and it lacked a bit the top high end compared to those two. And even more compared with 4524 which for the cost is a fantastic little bugger.
4547 looks very promising but i didnt have a chance to use it yet.
Marjan Milosevic
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Post Options Post Options   Thanks (0) Thanks(0)   Quote EdTheProfet Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 11:47am
Originally posted by Tony Wilkes Tony Wilkes wrote:

For a really nice horn that will not break the bank and would allow you to cross a bit lower have a look at the Faital STH100

Assuming you have the Celestion H1-7050 your cut-out is going to be too big for the Faital horn flare but am with Tony on the DE250 - its a very good compression driver. Bare in mind that on paper the DE250 has a lower sensitivity, at only 108.5dB its only -1.5dB so not a big deal but if you are finding that the compression driver is too quiet compared with the 12" you may need to rethink.

BMS 4538 is a good driver but high sensitivity so would probably need a ~3dB pad.

Ed - Blue Aran Ltd
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony Wilkes Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 12:06pm
Originally posted by MarjanM MarjanM wrote:

Naah, i just tested it against 4550 and 4552 and it lacked a bit the top high end compared to those two. And even more compared with 4524 which for the cost is a fantastic little bugger.
4547 looks very promising but i didnt have a chance to use it yet.


Marjan,  it must have been the horn, the 4538 on a sutable wave-guide can sound fantastic, used on a OS type they just disappear and leave only the music.

Give the 4547 a go, you will not be disappointed, they are my > 1.2K "go to" comp driver now. Just a shame about the 3 hole fixing as it means I have to re-drill a lot of horns.

Tony
www.forteaudio.eu - BMS - db-Mark Processors
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Post Options Post Options   Thanks (0) Thanks(0)   Quote MarjanM Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 12:08pm
Originally posted by Tony Wilkes Tony Wilkes wrote:

Originally posted by MarjanM MarjanM wrote:

Naah, i just tested it against 4550 and 4552 and it lacked a bit the top high end compared to those two. And even more compared with 4524 which for the cost is a fantastic little bugger.
4547 looks very promising but i didnt have a chance to use it yet.


Marjan,  it must have been the horn, the 4538 on a sutable wave-guide can sound fantastic, used on a OS type they just disappear and leave only the music.

Give the 4547 a go, you will not be disappointed, they are my > 1.2K "go to" comp driver now. Just a shame about the 3 hole fixing as it means I have to re-drill a lot of horns.

Tony

Tested all on the same horn.
Marjan Milosevic
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Bold Audio Inc
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Steve_B Quote  Post ReplyReply Direct Link To This Post Posted: 23 February 2012 at 12:30pm

Although it is a bit of a vague term, what is usually referred to as horn honk, is generally considered to be caused by reflections along the length of the horn. Depending how well the mouth terminates with its surroundings, there can be an impedance mismatch at the mouth. This causes part of the wave to be reflected.

If this is the cause of your honk, changing the drive unit might not be as successful as you would think. Most horns seem to be over optimistic with their specifications with regards low frequency performance. Years ago, the general rule of thumb was to use horns from at least an octave above their cut-off frequency to eliminate honk.

The use of a cut-off frequency with regards horn specifications can be misleading. In horn theory, the cut-off frequency has a specific meaning. Below the cut-off frequency the horn loading is reactive. The cut-off frequency is dependent upon the flare rate; the faster the horn flares out the higher the cut-off frequency.

The fact that a horn has a low frequency cut-off does not mean that it is big enough to operate down to that frequency. With small high frequency horns the performance is more likely to be restricted by the physical size and shape of the horn rather than the actual cut-off frequency determined by the flare rate (an exponential horn with an 800Hz cut-off approx' doubles in area every 3cm)

If you do a search I have uploaded some graphs of the response of a BMS 4524 and the B&C DE250 on a B&C ME10 horn. This is rated as having a cut-off frequency of 1K5. The measured response shows that 2K5 is a more realistic cross-over point. Both drive units exhibit a peak at 4K which is absent from the measured response on a larger horn.

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