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70's Showco/Clair Festival PA

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TONY.A.S.S. View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote TONY.A.S.S. Quote  Post ReplyReply Direct Link To This Post Posted: 04 March 2014 at 12:52pm
Originally posted by oldskool oldskool wrote:

Originally posted by Robbo Robbo wrote:


System would not even come anywhere near the Iron Maiden Monsters of Rock Festival at Donnington with 360 blue boxes(mainly TMS3s)which was giving a peak of 124db at FOH mix position 100yds from stage---entire system was 525kw of power and you could feel the kick drum hit your chest up to a mile away from stage.
I am glad that I was there to witness it as it will never happen again in UK.

Bloody hell John, I didn't know there were that many TMS3s ever, never mind in one place. Ooh that must have been an awful lot of fun to play with. Pity the poor sods who had to lug them all around though.


Lee, we built well over 1000 TMS3's in our time. Turbosound were massive and did more than people could imagine. We usually did them 30 at a time per month along with all the other TMS models, so TMS3's would be at least 600 per year.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote oldskool Quote  Post ReplyReply Direct Link To This Post Posted: 04 March 2014 at 1:06pm
Originally posted by TONY.A.S.S. TONY.A.S.S. wrote:

Originally posted by oldskool oldskool wrote:

Originally posted by Robbo Robbo wrote:


System would not even come anywhere near the Iron Maiden Monsters of Rock Festival at Donnington with 360 blue boxes(mainly TMS3s)which was giving a peak of 124db at FOH mix position 100yds from stage---entire system was 525kw of power and you could feel the kick drum hit your chest up to a mile away from stage.
I am glad that I was there to witness it as it will never happen again in UK.

Bloody hell John, I didn't know there were that many TMS3s ever, never mind in one place. Ooh that must have been an awful lot of fun to play with. Pity the poor sods who had to lug them all around though.


Lee, we built well over 1000 TMS3's in our time. Turbosound were massive and did more than people could imagine. We usually did them 30 at a time per month along with all the other TMS models, so TMS3's would be at least 600 per year.

Blimey Tony, I didn't realise how big they were either to be honest. So, apart from the Iron Maiden stash of TMS3s that was posted here a while back, and I know Jacethebass  likes his Turbo too, is there anybody restoring/operating large classic turbo rigs still? I have heard a few smaller ten/twenty box TMS rigs over the last couple of years (not TMS3s though) but they sounded so bloody awful they must have been buggered somehow, or the operators were clueless.     

Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong remedies
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studio45 View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote studio45 Quote  Post ReplyReply Direct Link To This Post Posted: 04 March 2014 at 2:03pm
A company down the road here, Black Magic Audio, has a medium-sized Floodlight rig, now powered from very modern Yamaha Tn series amps. Sounds bloody lovely. Gets a lot of techno-rave and live band gigs ;)

What was the biggest Martin F2 system every deployed in the UK? Know someone with a couple of stacks of that, and it is one of the nicest, and certainly loudest, rigs I've ever heard.
Studio45 - Repairs & Building Commotion Soundsystem -Mobile PA
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madboffin View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote madboffin Quote  Post ReplyReply Direct Link To This Post Posted: 04 March 2014 at 9:12pm
The biggest F2 system I can remember in the UK was for a show on Glasgow Green in 1990 for around 200,000 people. The site was about 200m wide and 400m deep. There were two main stacks and three delays. The two outer field delays used a mixture of F2 and old Martin Modular as there wasn't quite enough F2 in the country to do everything. The F2 came from Capital and Encore in London and For Music in Vienna, and the Martin Modular from Concert Sound in Luton.

The total speaker count was:
40 x BSX Subs
134 x F2B Bass
49 x F2-3M Mid boxes
21 x F2-3H2T HF boxes
38 x F2-2H3V HF boxes
22 x F2-MHT Combination boxes
24 x MH212 Philishave mids
16 x Concert Sound 2" JBL horns
12 x Concert Sound 1" JBL horns
8 x Concert Sound 3T  JBL tweeter boxes (3x 2402)

So the driver count was:
80 x 18"
268 x 15"
217 x 12"
177 x 2"
126 x 1"
72 x 2402 bullets

 = 1084 drive units in total

Bear in mind that the F2 concentrated a lot of speakers into a small space and maximised coupling between the drivers, so it was very efficient for its size and speaker content. In fact, the first few F2 Festival and Stadium tour systems were bigger than they needed to be, simply because the clients (FOH engineers) didn't believe a smaller (physical) size rig could do the job.


Here's another system list from 1989, Wembley Stadium. Being an early F2 festival deployment, this is an example of a rig that would have worked just as well with less boxes, (and the extra JBL long-throws, which were insisted on by the FOH engineer):

Main stacks and understage fills:
40 x BSX Sub
129 x F2B
46 x F2-3M
8 x F2-2H2T
10 x F2-2H3V
18 x F2-4H (4x 2" horns)
8 x F2-6V (6x 1" horns)
10 x F2-4V (4x 1" horns)
21 x F2-MHT
8 x JBL 2356 40 degree horns with 2440's
(above split into SL & SR stacks plus frontfills)

Plus delays (split into 1 mix tower and 2 outer field stacks) :
12 x F2B
8 x F2-3M
8 x F2-2H3V

4 x F1M
6 x F1H
These "F1" boxes were the original F1 system, a big heavy flyable rig of which only one prototype was built. The Mid was 2x12" like a bigger version of a Philishave, and the High contained a splayed pair of narrow dispersion horns with 2445 drivers.

Must get the pictures scanned sometime...




Edited by madboffin - 04 March 2014 at 9:16pm
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burningbush View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote burningbush Quote  Post ReplyReply Direct Link To This Post Posted: 05 March 2014 at 12:36pm
134 F2b, that is kick.
music is the message
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jbl_man View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jbl_man Quote  Post ReplyReply Direct Link To This Post Posted: 05 March 2014 at 3:13pm
Yeah,two stacks 67 cabinets high. Stick that in yer line array! Smile
Be seeing you.
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madboffin View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote madboffin Quote  Post ReplyReply Direct Link To This Post Posted: 05 March 2014 at 4:33pm
The F2B's were arranged as line arrays 40 feet high and 7-1/2 feet wide, all done by stacking 4-wide on four levels of decking. The subs were underneath, filling the gap between the stage level and the ground.  Everything else was arrayed around the LF column, and carefully angled and tilted to cover the field. The mids and highs on the upper levels were in vertical arrays too.
It was possible to adjust the vertical coverage during the event, to deal with changes in air temperature gradients, by moving the wood blocks that tilted the cabinets downwards.



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burningbush View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote burningbush Quote  Post ReplyReply Direct Link To This Post Posted: 05 March 2014 at 4:38pm
No dsp steering of the sound then, whack the two blocks a bit and bingo.
music is the message
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madboffin View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote madboffin Quote  Post ReplyReply Direct Link To This Post Posted: 05 March 2014 at 4:58pm
DSP would have been a whole lot easier. I suppose this system was more or less equivalent to two splayed hangs of MLA per side, but with only limited vertical beam adjustment.

These big F2 systems were a hybrid of line array (before it turned into a fashion item) and curved array.

The best thing was that they were very flexible. The stacks could be designed to put sound where it was needed, for example in a stadium venue there would be extra boxes on the outer ends to cover the nearby side stands.
The disadvantage was that it took a whole day to stack the rig, which was accepted as normal for all systems in those days before suitable flying methods were developed.




Edited by madboffin - 05 March 2014 at 5:00pm
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discosucks View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote discosucks Quote  Post ReplyReply Direct Link To This Post Posted: 05 March 2014 at 5:41pm
would love to see a snap or two of that :-)
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jazomir View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jazomir Quote  Post ReplyReply Direct Link To This Post Posted: 07 March 2014 at 9:31am
Originally posted by TONY.A.S.S. TONY.A.S.S. wrote:

To me the biggest shock with our American friends, is how behind the times they stayed. As a kid, I always looked to America and thought how futuristic it must be and because of wealth, they must be ahead in everything. Then when I finally got there in the late '70's, I couldn't believe how old fashioned they were and of course totally insular. They themselves had been brainwashed into thinking they were the Bee's Knees, and so therefore never looked outside there own box. When you think of early American Cinema systems and the companies involved, the PA thing becomes a bit of surprise. I do remember American engineers not having a very good reputation though.
Same could be said about their cars - hardly surprising the Top Gear lads always take the mickey out of them, especially their 'live rear axles' (read: 'steel girder'). I think it is rather like the Russian old school way of thinking - only use things that can be 'easily repaired, by a monkey, in a field'. Trouble is, things have moved on so much that most modern cars with their high tech, self adjusting innards that can't be repaired easily by an amateur are now more reliable whilst also being having far more in the way of refinement. It's a shame really, 'cos the Americans are really very good at old fashioned engineering (read 'tweaking') of any sort but the big corporates are very stubborn in their response to any sort of change which even the hi-tech companies seem to fall prey to given half a chance. It seems only the companies with visionaries at the reins are able adapt to change easily whilst all the others simply rest on their laurels and keep releasing minor variations of the same tired old ideas.
For sidefills, can we have two enormous things of a type that might be venerated as Gods by the inhabitants of Easter Island, capable of reaching volumes that would make Beelzebub soil his pants.
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TONY.A.S.S. View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote TONY.A.S.S. Quote  Post ReplyReply Direct Link To This Post Posted: 07 March 2014 at 10:02am
Talking of Cars though, (bit of a diversion here) My good friend the Bass Player, had some yanks, and one of them was a '56 Cadillac Eldorado. I was absolutely amazed to see so many gadgets. It had power everything, but operated with levers. It was only then I realised how behind we were at one stage with driving aids. Unfortunately, after the '50's and '60's they let themselves down badly.
Bt the way, as some of the old folk might know, the Who were big Clair users. That would be after they ditched their own\ Tasco stuff.


Edited by TONY.A.S.S. - 07 March 2014 at 10:04am
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