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A midrange horn project - opinions and proposals

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technofreak View Drop Down
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    Posted: 24 August 2008 at 2:15pm
First, hello everyone. I've been reading this forum for quite some time, but now I felt it's time to register.

So, after reading Klipsch's paper on loudspeaker distortion and doing some simplified tests myself, I decided that horns are the way to go. I've bought a pair of Eminence Alpha 6 (at the moment playing in my bedroom on small OB-s and already very pleasing:) ). 300 Hz conical flare is on paper (or actually on hard drive). But before I incarnate this project any opinions and proposals are welcome, to further refine the design. Also, I have not enough time and money for extensive prototyping, so I'm trying design principles that (according to information found after extensive data digging on Internet) are proven to work and keep it as simple as possible.

So, here are the details:

Primary goal is as good sound as possible, ear-piercing SPL is secondary.

9x9 cm rectangular throat with phase plug (4 cm diameter initially, so throat area 68cmˇ2, compression ratio 1,86. Phase plug final shape and size is determinated by some experimentations)

1600 cmˇ2 mouth (40x40 cm), terminated with a foam or other similar material roundover to ~50x50 cm to smooth out the response and reduce mouth reflections back to throat.

Horn lenght 31,2 cm (36,2 inc. roundover)

Back chamber as small as possible, no larger than 2 litres. Intended bandwith is 300 to 3000 Hz, or as high as possible. 2...2,5 kHz will do it also, but not below 2 kHz. Fairly large throat gives me a chance to experiment with various phase plug shapes and sizes.

Dispersion is approx. 50 degrees.

Tweeter coaxially mounted in the mouth, at first trying to reuse my ol'trusty piezo array (a là Bill Fitzmaurice), compression driver with horn if that doesn't work well enough.

They will be used in a multitude of roles - as my main hi-fi, for house parties, some band practice and occasional discos and lives, mainly closed parties in smaller venues up to 200 persons max. Proper bass support is to come next year (at the moment I have to stick with some "leftovers" -  two 2x8", which are enough for home and band practices), for time being I can always rent (some Altec 816 style midbass bins that are around here would to the job). This is my hobby, just for fun and self-education and I'm not planning to make any money from it (yet).

A concept image


And Hornresp graph


Schematic diagram


So, all opinions and proposals are welcomeSmile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Deadbeat Quote  Post ReplyReply Direct Link To This Post Posted: 24 August 2008 at 3:22pm
Looks fine and dandy. I like the fact that you have taken in mouth termination, Thumbs%20Up. I like to cut foam to the size of the horn and plug it actually. Another mouth termination technique is to double up the ends and route a radius in the wood. But I think for the most part you will be fine, saved by the small flare at the end.
If you're even more worried, it is quite simple to rework the design so it is not axisymmetric, as this can tend to have more mouth reflection (and standing wave blah blah) problems etc (besides, vertical coverage is fine at 40 degrees or less).

A typical falling response, it won't look so bad in real life.
Do you have the hornresp inputs and have you checked that the system does not reach xmax? Have you also included the area immediately in front of the driver as front chamber?
Also, have you considered using other horn flares such as tractrix/exponential/JMMIC?

Another route you could go down is biradial/smith horn.
Away on extended leave.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote technofreak Quote  Post ReplyReply Direct Link To This Post Posted: 24 August 2008 at 4:39pm
I've done some research on horns and am aware of various methods to terminate mouth correctly. Again, roundover is the simplest and most accessible method. I got the foam idea from reading about an experiment where you make an improvised horn fom a rolled up magazine, talk into it and compare the sound with and without mouth termination made of a towel that is rolled up and wrapped around mouth.

I've considered non-axisymmetric construction, but  I don't want to make it wider - it's roughly 50x50x50 cm cube and seems to be optimal as far as doors, pole mounting (a compromise solution with horn on the pole and one or two 15" subs covering 50...300 Hz on the floor) and stacking goes (I live on the 8th floor and have to consider elevators). Also, my piezo array won't fit if I make the cab lower.

I also considered tractrix etc but conical is the simplest (and arguably sonically one of the best) flare rates, also gives good control over dispersion so I'll go with this.

I've double-checked the excursion figures, and with smaller than 2 litre back chamber it's OK even without crossover.

Front chamber volume is estimated to be 100 cmˇ3 or less. Again, experimantation with phase plugs will be done.

Construction shall begin in September. I'll try to get a camera and post some pics of the process. Also I'll try to make some plans up and post them here.

Actually one more question about group delay - it always looks quite horrible with any horn on Hornresp graphs, but I quess it's not really relevant, right?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Deadbeat Quote  Post ReplyReply Direct Link To This Post Posted: 24 August 2008 at 5:08pm
So you have read Jack Bouska's excellent essay on his 'factors determining the sonic quality of what i can't remember', I see. The foam plug I proposed actually has come from the geddes HOMless plug design (which I think a few of us, including me stumbled across a while ago, but did not know of it's higher order mode killing abilities). The thing about the towel thing is that the stuff is actually in the horn, if you continued the flare of a horn, with let's say everyone's favourite choice acoustic foam (30ppi open cell), the diffraction (and other effects of a sharp edged mouth as you know) around the side when you transition between materials which you're trying to control with the termination makes the foam much much less effective than simply stapling it to the sides of the horn itself. This technique of lining the horn has been used successfully several times by people other than myself and works very well, is second to carving a plug. Unless I've misread you and you're just lining the horn with foam, as opposed to continuing it.

'Arguably sonically the best'. I could go into an appraisal of HF horn flares, but I'm not going to. Wink. Don't tempt me....LOL

Post the group delay graphs - remember to not ignore any monsters. It really matters when you have a very large peak or dip somewhere.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote technofreak Quote  Post ReplyReply Direct Link To This Post Posted: 24 August 2008 at 5:52pm
Here's the GD graph with 2 L back chamber (black) and 0,5 L chamber (light grey):


At first yes, my idea was to extend the mouth with foam or something similar, but guess I'll make that last bit of flare from plywood and cover with foam. Or maybe try to get some foam like used for air filtering in amp air intakes and such and make a plug of several layers that also doubles as speaker grill (and also hides those "nasty piezos" from snobbish eyes:D)?

Then, another idea - to extend the horn with eg. styrofoam and apply some acoustic foam over it and also ~10 cm into the main flare?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote _djk_ Quote  Post ReplyReply Direct Link To This Post Posted: 25 August 2008 at 8:49am
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Post Options Post Options   Thanks (0) Thanks(0)   Quote technofreak Quote  Post ReplyReply Direct Link To This Post Posted: 25 August 2008 at 5:51pm
Thanks for the info, _djk_, those look interesting boxes (although foxit reader goes bananas when trying to scroll daown the first PDF).

Anyway, I threw some plans together (my CAD skills are not the best, actually these are the first CAD plans I've ever made): http://www.speedyshare.com/952908459.html.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote _djk_ Quote  Post ReplyReply Direct Link To This Post Posted: 26 August 2008 at 10:33am
I wanted you to see their use of foam, they have been doing it this way for about 20 years now.
 
The CAT-40 is about the size you are building, but driven with an 8" to 2Khz, and the midrange response looks quite smooth.
 
Here is a little better picture of one of their speakers.
 
 
This is one of my early efforts, circa 1981:
 
 
It's similar in size to the CAT-79, and has the break-back on the mouth that is at about 2/3rds the width.
 


Edited by _djk_ - 26 August 2008 at 10:44am
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Post Options Post Options   Thanks (0) Thanks(0)   Quote biotec Quote  Post ReplyReply Direct Link To This Post Posted: 26 August 2008 at 10:55am
have a look at the OAP audio coaxial horns. They use dense foam on the end of the 10inch horn and have a very nice TAD 2inch coaxially mounted.
 
The 1x2" + 1x10" + 2x15" box they do suprised me with how nice it sounded.
me so horny, me love you long throw.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Deadbeat Quote  Post ReplyReply Direct Link To This Post Posted: 26 August 2008 at 11:03am
djk, is the horn 'extended' by the foam, or does it line the horn? And is it open or closed cell? I can't tell, sorry.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hi_Varu Quote  Post ReplyReply Direct Link To This Post Posted: 26 August 2008 at 11:05am
the second immage isn't jeff robinson horn?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Deadbeat Quote  Post ReplyReply Direct Link To This Post Posted: 26 August 2008 at 11:31am
No, djk designs his horns.

And...those mids are massive Big%20smile
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