Acoustic Solutions for Warehouse Raves |
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Amphibia
Registered User Joined: 27 November 2019 Location: Perth, Australi Status: Offline Points: 12 |
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Posted: 06 October 2021 at 8:29am |
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Hey everyone,
Wondering if anyone has any solutions they've employed to help the acoustics in warehouse raves? I've seen some crews put up heavy curtains, but was curious as to whether anyone had any tips / tricks that seem to help heavily reverberating spaces sound a little better.
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toastyghost
The 10,000 Points Club Joined: 09 January 2007 Location: Manchester Status: Offline Points: 10919 |
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This will do the trick:
https://flexac.com/en/products/aqtube/ |
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DMorison
Old Croc Joined: 14 March 2007 Location: Aberdeen Status: Offline Points: 1649 |
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The Cat D9 EQ is always a good solution for venues with poor acoustics 😜
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Earplug
Old Croc Joined: 03 January 2012 Location: Europe Status: Offline Points: 7216 |
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Stack a load of sheep around the walls?? |
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Earplugs Are For Wimps!
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imageoven
Old Croc Joined: 28 March 2007 Location: Scotland Status: Offline Points: 2186 |
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So some cheap bouncy castles from ebay?
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Keep pushing on, things are gonna get better.
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fatfreddiescat
Young Croc Joined: 15 October 2010 Location: N.E.Wales Status: Offline Points: 1083 |
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Fill the place with punters and point the system so to minimise sound hitting hard surfaces, could try cardiod subs or array to minimise spill, also consider setting up so as to point system across the diagonal of the space.
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King George
Registered User Joined: 18 January 2011 Location: South Status: Offline Points: 334 |
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Point the speakers at the people.
Don't point the speakers at the walls and ceiling. Don't take any drugs until you have finished pointing the speakers.
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vertx
Young Croc Joined: 14 March 2012 Location: Sydney Status: Offline Points: 578 |
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We've recently treated the back wall of a concrete warehouse space with a few 3m x 2m frames containing two layers of 130mm deep r3.5 bradford polyfill from Bunnings. It fixed 100% of the back wall reflections above 500hz that were causing loss of detail on the main rig, harshness or messiness in the critical 2 - 4khz area from the 2-40ms slapback, and made it much more possible for the DJs to mix.
From memory it was about 5-600 AUD all up for timber, wadding, bolts, screws, twine, metal brackets, etc.
Also as said above, placement is also key, and filling the room with the right amount of heads. And yes, no ket or M until the headline act comes on, only beers and balloons Edited by vertx - 07 October 2021 at 6:18am |
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Racks&Stacks
Registered User Joined: 10 February 2006 Location: Germany Status: Offline Points: 204 |
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brilliantly simple. A large (70m x 100m x 10m) undivided multipurpose hall at a complex I used to work at once had an event featuring 2 different sound systems under the same roof. One was put inside an inflatable dome and the 2 did not clash
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Sonic the hedge
Registered User Joined: 12 May 2020 Status: Offline Points: 161 |
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Depending on the size of the space (and more importantly distance from the speakers) you can, to a certain extent, drown out reverberation with stupid levels of SPL.
Not because the reverberation actually goes away, but the high SPL raises the lower bound of sensitivity of people's hearing, to the extent that the reverberation is much less heard. Works in basements etc. but perhaps not so practical/achievable in a large space. |
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Earplug
Old Croc Joined: 03 January 2012 Location: Europe Status: Offline Points: 7216 |
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I think that the above is really a bad idea. You'll just end up with a very deaf clientele! Not the best really. And the bass frequencies are going to be more of a problem if you just up the volume. A mess really. It is actually quite common down here to have events in big horrible sports centers, or "frontons", that can be a nightmare. I've literally seen touring engineers tearing out their hair when faced with the mess you can get. A few things I've learned over the years:- - Don't actually panic too much during the sound checks. Once the punters come in, it will make a big difference. - Point the mid-tops down a few degrees - directed at the audience, rather than above their heads. - Be prepared to cut a bit of bass. Get a decent graphic - or multiband PEQ - and have a play around to get rid of the worse/resonant low-end frequencies. That will help a lot. |
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Earplugs Are For Wimps!
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Sonic the hedge
Registered User Joined: 12 May 2020 Status: Offline Points: 161 |
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Well OP referred to a warehouse rave, so I would expect it to be pretty loud anyway Perhaps counter intuitively, it's very important to have plenty of sub in the mix when operating at high SPL, because it's the low frequencies that trigger the tympanic reflex, which protects your hearing from excessive SPL. |
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