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EQ Advice! Ashly GQX-3102 or BSS Opal FCS-966

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Poll Question: Ashly GQX-3102 or BSS Opal FCS-966
Poll Choice Votes Poll Statistics
13 [44.83%]
16 [55.17%]
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audiomik View Drop Down
Old Croc
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Post Options Post Options   Thanks (0) Thanks(0)   Quote audiomik Quote  Post ReplyReply Direct Link To This Post Topic: EQ Advice! Ashly GQX-3102 or BSS Opal FCS-966
    Posted: 25 December 2011 at 12:36am
all of this discussion between two specific types of Graphic EQ's and no mention of the classic Klark Teknik DN27's which have proper individual passive filters for each band... these have become something of an industry standard from when they were first available
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Post Options Post Options   Thanks (0) Thanks(0)   Quote SamV Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 11:29pm
Ah the ADF4k, been after one for a while. I'd like to see how it handles.

The KT stuff is lovely though. And you're right the majority of 2nd hand BSS do have faults but I think that could be down to the sheer number of them about. I do often wonder why the Ashlys were never so mainstream, I wonder if it was original purchase price or lack of marketting.


Edited by SamV - 24 December 2011 at 11:30pm
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Post Options Post Options   Thanks (0) Thanks(0)   Quote a1dl Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 8:30pm

Haven't used the Ashly, but have several of the BSS units and have always liked them.   Broken faders seem to be a common problem with the 966, have seen many like that over the years, although ours don't get dry hired so possibly get treated with more tlc, and all faders & knobs still intact!

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Post Options Post Options   Thanks (0) Thanks(0)   Quote shagnasty Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 8:12pm
I have to say for £100 each I'd go Ashley in a second, the lot of 966s I bought were £250 each and all had bust cadets ( apparently comon, but not to me) so the Ashley is a much better deal, cost aside, DN410, adf4000 or if you really don't understand EQ and want it clumsy, a DN 360, but TBH graphs are dead, para every tone for me!!!

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Post Options Post Options   Thanks (0) Thanks(0)   Quote SamV Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 5:26pm
I've used upto -12db at 3.15k in a stone church once. Sorted it right out.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote shagnasty Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 1:26pm
Originally posted by OllieMan OllieMan wrote:

I love the Ashleys!
The have up to 16db of gain reduction, do the BSS do this much?
 
Do you have kit that sounds so bad it needs -16dB?? on a graphic that is gonna punch a MASSIVE hole in your frequency response, prob better using a para on the LMS or inserting a dn-410...
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote mk2_ginger_biscuit69 Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 1:06pm
Originally posted by OllieMan OllieMan wrote:

I love the Ashleys!
The have up to 16db of gain reduction, do the BSS do this much?

Genuine units are easy to find, you just by from the US!



theres got to be something SERIOUSLY wrong to need -16db on an EQ... i EQ in the +-6db range when i can and thats still plenty Confused


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Post Options Post Options   Thanks (0) Thanks(0)   Quote philw44 Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 1:02pm
I liked the 966, thought it had a pleasing colouration to the sound too.

I preferred it as a FOH EQ for sculpting rather than cutting notches on wedges.


Edited by philw44 - 24 December 2011 at 1:04pm
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Post Options Post Options   Thanks (0) Thanks(0)   Quote OllieMan Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 12:53pm
I love the Ashleys!
The have up to 16db of gain reduction, do the BSS do this much?

Genuine units are easy to find, you just by from the US!
DOJO MEDIA.

PA HIRE/ RECORDING STUDIOS/ BACKLINE HIRE.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote spiffing Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 11:02am
i've never used ashley (or heard ofEmbarrassed) but i'd consider the BSS 960 as well as the 966 maybe you should dry hire some in to see what you prefere

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Robbo Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 9:48am
You have to be very carefull at the moment buying Ashley gear as it is one of the ranges of gear that the Chinese have decided to clone---Lots of it about but very few genuine--bit like the Shure SM58 cloning problem---They are made to look the same in all respects but they certainly do not sound the same.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote SamV Quote  Post ReplyReply Direct Link To This Post Posted: 24 December 2011 at 3:51am
I picked up all my Ashleys for about £100 each! That said I've had the opposite results, the Ashleys seem to sound better than the Opals when you move more than a few faders. Other than that I've not noticed any differences. Occasionally I do get engineers asking for the BSS when I've taken the Ashlys out but most soon accept them when they use them. They just need reassuring that they're just as good/better. It's weird how they just accept the speakers though knowing their our own design.

As for not really using eqs, how do you eq for a venue then? Our system in a good room is fairly flat.


Edited by SamV - 24 December 2011 at 4:31am
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