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Midrange compression driver development

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JulianDA View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JulianDA Quote  Post ReplyReply Direct Link To This Post Posted: 24 April 2024 at 4:02pm
Originally posted by Elliot Thompson Elliot Thompson wrote:

It appears you are having issues (major dips) within the 
4 kHz - 5 kHz range once attached to the horn. 

If you are looking for a wider dispersion at High Frequencies, try exploring the notes from Don Keele. He was responsible for Electro-voice (Hyperbolic) and JBL (Bi-Radial) wide dispersion horns in the 1970's - 1980's. Typically either design will offer no less than 100 degree horizontal dispersion at high frequencies.   


Best Regards, 


Thanks for the input, Elliot :) 
Its true that 4-5kHz is still a bit rough. But as one can see from the modal analysis of the compression chamber, most of it is probably just the second resonant mode <- So the same problem as in the 2,5kHz range. 
But i think i would be happy if there was some destructive interference around 5kHz in the final build. The FR and Impedance of the 6nsm51 shows severe cone breakup at that frequency and it would be nice to filter that out acoustically. 

Regarding the dispersion: I am more than happy with my construction. I just mentioned it as a reason for the reduced hf-output <- it will need the typical constant directivity eq correction when it is finished.

Originally posted by Timebomb Timebomb wrote:


I would try extending the central part of the plug into the the horn throat, try and smooth the transition.  What does the impedance response look like around 2KHz?  
 

Could you explain why that should help me? I simulated and build quite a lot of prototypes before this and most had a plug reaching inside the horn. 
But to my knowledge this is only needed if the circumference of the horn-throat is too big for the desired hf-dispersion, or when the wavefront at the throat is not shaped in the desired way <- so the extended part of the plug acts more like a waveguide.

Originally posted by fudge22 fudge22 wrote:


Ah! Sorry. From the photos, it looks like the front of the 3D printed phase plug is flat, and that there is a ring around the exit, perpendicular to the horn axis, where the printed part attaches to the wooden horn.

If the taper of the wooden flare continues down at the same angle into the printed phase plug, so that there is no step, my comment was indeed wrong.



No worries! I totally understand why you thought that....its because i never mentioned that there is a 3D-printed throat-adapter on the horn. The exit of my Compression Driver is 80mm wide and the throat of the horn is 96mm wide. So i printed a conical adapter from 80 to 96mm with a length of 12mm. 
So just from the information that i gave you it is clear that you interpreted the pictures in that way....there is just too much 3D-print visible at the horn throat :D Embarrassed

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Elliot Thompson View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Elliot Thompson Quote  Post ReplyReply Direct Link To This Post Posted: 26 April 2024 at 3:08am
Originally posted by JulianDA JulianDA wrote:

Originally posted by Elliot Thompson Elliot Thompson wrote:

It appears you are having issues (major dips) within the 
4 kHz - 5 kHz range once attached to the horn. 

If you are looking for a wider dispersion at High Frequencies, try exploring the notes from Don Keele. He was responsible for Electro-voice (Hyperbolic) and JBL (Bi-Radial) wide dispersion horns in the 1970's - 1980's. Typically either design will offer no less than 100 degree horizontal dispersion at high frequencies.   


Best Regards, 


Thanks for the input, Elliot :) 
Its true that 4-5kHz is still a bit rough. But as one can see from the modal analysis of the compression chamber, most of it is probably just the second resonant mode <- So the same problem as in the 2,5kHz range. 
But i think i would be happy if there was some destructive interference around 5kHz in the final build. The FR and Impedance of the 6nsm51 shows severe cone breakup at that frequency and it would be nice to filter that out acoustically. 

Regarding the dispersion: I am more than happy with my construction. I just mentioned it as a reason for the reduced hf-output <- it will need the typical constant directivity eq correction when it is finished.


So I would imagine you are planning to use a compression driver to fill in the gap (4 kHz - 5 kHz) housed on a 60 x 40 horn to keep things uniform (seamless)?

Best Regards,
Elliot Thompson
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Post Options Post Options   Thanks (0) Thanks(0)   Quote snowflake Quote  Post ReplyReply Direct Link To This Post Posted: 26 April 2024 at 10:33am
why have you chosen the crossover point to be 3.5kHz? plenty of 1" compression drivers can be crossed at 1.5kHz or 2khz...
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Post Options Post Options   Thanks (0) Thanks(0)   Quote smoore Quote  Post ReplyReply Direct Link To This Post Posted: 26 April 2024 at 11:38am
Hi Julian,

Great to see someone doing some proper R&D! Well done for taking the step! 

I just wondered, have you got any pictures of your measurement set up and how you have analysed the data? The measurements of your driver on it's own are making me suspicious and you may be measuring reflections rather than your horn, and compression/phase bung. Both look great by the way!

Cheers,
Sam
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Post Options Post Options   Thanks (0) Thanks(0)   Quote RoadRunnersDust Quote  Post ReplyReply Direct Link To This Post Posted: 26 April 2024 at 12:32pm
Originally posted by snowflake snowflake wrote:

why have you chosen the crossover point to be 3.5kHz? plenty of 1" compression drivers can be crossed at 1.5kHz or 2khz...

Have you missed the point of nearly all professional mid-range solutions for the past 40 years? LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote MarjanM Quote  Post ReplyReply Direct Link To This Post Posted: 26 April 2024 at 1:26pm
Originally posted by Timebomb Timebomb wrote:

I would try extending the central part of the plug into the the horn throat, try and smooth the transition.  What does the impedance response look like around 2KHz?  





^^^^^THIS!!!^^^^^
Marjan Milosevic
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Post Options Post Options   Thanks (0) Thanks(0)   Quote fudge22 Quote  Post ReplyReply Direct Link To This Post Posted: 27 April 2024 at 7:53pm

Quote I would try extending the central part of the plug into the the horn throat, try and smooth the transition.  What does the impedance response look like around 2KHz?

 

Quote ^^^^^THIS!!!^^^^^

 

Whilst I agree that a smooth transition between the “compression driver” exit, and the horn throat is essential, JulianDA, the OP, has clarified that this is the case. Given that there are no discontinuities, some explanation of  why extending the central part of the plug is beneficial would be useful.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Teunos Quote  Post ReplyReply Direct Link To This Post Posted: 28 April 2024 at 12:52pm
The project looks great, kudos for the work done.
I agree with TimeBomb and Marjan, extend the plug further into the throat.

You write the throat is 80mm 50cm^2, consider that a standing wave in the throat would have its first null at ~2140Hz, which ligns up almost exactly with the first measured null.

In the simulation, did you do a full BEM analysis of waveguide including horn?


Edited by Teunos - 28 April 2024 at 12:53pm
Best regards,
Teun.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Timebomb Quote  Post ReplyReply Direct Link To This Post Posted: 28 April 2024 at 9:10pm
Its hard to tell from the photos but is the expansion rate smooth from the end of the phase plug smooth into to the throat of the horn?  The geometry is quite different as you change from radial slits to the flat side walls of the horn, if the plug was extended the reflections across the throat would be reduced and diffused by the round plug.

Did you aim for a curved wavefront or planar at the exit of the phase plug? 
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James@soundgear.co.uk               www.soundgear.co.uk
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JulianDA Quote  Post ReplyReply Direct Link To This Post Posted: 28 April 2024 at 11:46pm
Thanks for all the replies! They sparked more thoughts on the matter for sure! In a few days i will post more pictures of the complete CAD model of the driver, the phaseplug and the horn. Hopefully this will clear thinks up a bit.

After many suggestions of, in my eyes, knowledgeable persons to expand the centre of the plug, this will probably be my next try in getting a flatter FR. But first i will try the new plugs with slightly different channel entry positions. This test will probably be done tomorrow, so i can update you on that in a few days, too.

Originally posted by Teunos Teunos wrote:

The project looks great, kudos for the work done.
You write the throat is 80mm 50cm^2, consider that a standing wave in the throat would have its first null at ~2140Hz, which ligns up almost exactly with the first measured null.

In the simulation, did you do a full BEM analysis of waveguide including horn?

Thanks :) 
Yes, a standing wave at 80mm would have a null at that frequency. That could be a possibility. But i have to ask why there should be a standing wave there and not at all other parts of the horn with different dimensions? Would it just be because of the miniscule part of the throat were the outer walls change from a negative to a positive expansion and create a zero expansion segment by diong that?
Would the only effect of the plug-extension be then to block the path for this particular standing wave until the outer walls of the horn start to expand?

Lots of questions, but i am excited to learn more!

For the simulation: i did a full bem analysis in AKABAK of the membrane (with the shape as close to the real one as a pair of calipers and some tricky measuring could get me) driving the compression-chamber (just the shape of the membrane and surrounds shifted by 2mm to the front) then the phaseplug (with interfaces at each end) connected to a model of the horn in use, which is then coupled to the outside via another interface. All that in 4pi with 180° polar measuring points at 1,5m distance.
I did some pre-meshing of my models in gmsh and remeshed certain parts again in AKABAK if they needed a finer mesh as indicated by the standard deviations calculated by the solver.

I didn't use the model of the horn in the simulations for the initial design of the phase plug. For that i used a model of a plane wave tube (with a 100% absorbant boundary at one end) and later a conical horn shape with the same boundary at the end. <- this was just to get a more accurate look at the achievable FR.
But after my phase plug was designed, i simulated it with the horn that i had from previous tests. <- just as with hf compression drivers, the horn shouldnt be critical for the performance as long as there is no large impedance missmatch at the throat


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Post Options Post Options   Thanks (0) Thanks(0)   Quote snowflake Quote  Post ReplyReply Direct Link To This Post Posted: 29 April 2024 at 12:14am
Originally posted by RoadRunnersDust RoadRunnersDust wrote:

Originally posted by snowflake snowflake wrote:

why have you chosen the crossover point to be 3.5kHz? plenty of 1" compression drivers can be crossed at 1.5kHz or 2khz...

Have you missed the point of nearly all professional mid-range solutions for the past 40 years? LOL


there's several reasons you might do it - I just wondered what the thinking is in this design. thanks for your insightful reply Thumbs Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Earplug Quote  Post ReplyReply Direct Link To This Post Posted: 29 April 2024 at 10:43am
An interesting project - but really shows that the physics is difficult and simulations obviously have some severe limitations. Measurement and experimentation is the way - but also, in the end, using a decent DSP unit with several parametric corrections may be the only solution. And generally, the simplest. 

You can really drive yourself mad trying to tweak and tweak and tweak. Ultimately a bit of a waste of time. There has to be a point where you say enough is enough, and just use some electronics to get the thing sounding good. All the big manufacturers do that, even going back decades. 

I just picked up some EV S200's that a friend found while clearing out his shed! I really love those cabs, but they also need their processor to really sound good.  LOL LOL LOL


Earplugs Are For Wimps!
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