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PD1850 vs PD1851 - Diffs/Advantages/Disadvantages |
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PauliePaul
Young Croc
Joined: 14 August 2009 Location: Birmingham Status: Offline Points: 1485 |
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Posted: 14 August 2012 at 5:15pm |
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I think around 10mm from memory.... don't quote me though....
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pfly
Old Croc
Joined: 25 October 2007 Location: Helsinki, Fin Status: Offline Points: 2827 |
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Posted: 14 August 2012 at 5:19pm |
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I like to think folded horns (scoops included) as a larger box that is just split into pieces that two to four people are able to lift. If they are thought like this, if you get peaky response from one box but four or six boxes next to each other smooth it out, then it works exactly like intended. It is not just that peaky response means the box is not optimized for particular driver. When enough boxes are used, those "tight" drivers start to show what they can do. |
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ape3435
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Joined: 23 August 2009 Status: Offline Points: 552 |
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Posted: 14 August 2012 at 5:21pm |
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[/QUOTE] The point I was making is, The PD1851, PD186, V18-1200, Fane 18XB, all have warm musical tone. The PD1850/V18-1000 have aggressive in your face "gruff", that need "some" param eq to warm them up. True that Lev, I've got my 1850s under a tube preamp and param eq, so they sound warm enough
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Elliot Thompson
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Joined: 02 April 2004 Location: United States Status: Offline Points: 5365 |
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Posted: 14 August 2012 at 9:48pm |
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The majority of old small folded horns (scoops included) were designed operate with a minimum of four bins. The DJs I know in the States & the West Indies that use such bins would not use less than 8 - 18 bins.
I might add small folded horns (scoops included) are limited to the horn's length. Since those boxes are designed quarter space, you can only get louder by having a larger mouth area once you exceed four bins. However getting a flatter response the lower you go requires a longer horn path (Terror Horn & Lab Sub) which small folded horns (scoops included) cannot offer.
Since the length of the horn determines the lower frequency
cut-off point and, the driver requires a certain amount of space in order to
create lower frequencies, using a small horn will not give you a flat response used
in multiples if the if the length of the horn is too short for the driver to
deliver the given frequencies. You will attain a peak above the horns cut-off
point and your dB level will decline beyond that.
Many have tried using heavy equalisation to force lower frequencies in such cabinets. The end result is finding them selves constantly repairing blown woofers.
Best Regards, |
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Elliot Thompson
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pfly
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Joined: 25 October 2007 Location: Helsinki, Fin Status: Offline Points: 2827 |
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Posted: 14 August 2012 at 10:06pm |
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Yes, I did know all that, I did not mention lower cutoff at any point. f3 probably goes tiny bit lower but main thing that happens with these compromised quarter wave horns is the more even frequency response.
Funny thing is that my scoop (which is almost 10cm deeper than any other "normal" scoop I know) goes almost as low as Lab Sub. I also have a feeling that scoops are slightly more tolerable to too small mouth area Courtesy of Lasse & Huhts, 1, 2, 4 and 6 Lab subs outside without boundaries, not calibrated for SPL ![]() Four of my Polar Bear design, outside, measured with same software, same settings and same microphone, not calibrated for SPL ![]() Although my scoop lacks the last "peak" of Lab at around 35hz, you could say the response is really similar below 100hz. Edited by pfly - 15 August 2012 at 7:22am |
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Elliot Thompson
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Joined: 02 April 2004 Location: United States Status: Offline Points: 5365 |
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Posted: 14 August 2012 at 10:37pm |
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It appears your box peaks between 70 - 80 Hz with - 3 dB points @ 50 Hz in addition to 90 Hz.
Best Regards, |
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Elliot Thompson
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pfly
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Joined: 25 October 2007 Location: Helsinki, Fin Status: Offline Points: 2827 |
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Posted: 15 August 2012 at 7:20am |
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If you were to take -3dB point like that (from highest point?), four Labs would have it around 55hz, doesn't sound quite right.
I rather take average level between the intended usable range ie. 30-100hz and see -3dB from that. But anyway, back to original topic, I'd love to test several drivers in my scoops but right now I don't have money nor time for that. I do agree that something like Turbomaxxes could maybe produce a bit more sub than V18-1000 that I use now, specially since my scoops are what is today described as large chamber scoop. PD.1851 would be my prime interest. You can quite nicely see the behaviour when more horn boxes are put next to each other in the Lab sub graph Edited by pfly - 15 August 2012 at 7:21am |
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levyte357-
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Joined: 27 July 2012 Location: UK, South East Status: Offline Points: 8517 |
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Posted: 15 August 2012 at 11:02am |
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@Pfly, remember Elliot doesn't like scoops, and doesn't think they can do sub..
![]() But anyway, back on topic, this is all about comparing '50 vs '51. Really need feedback from people who have upgraded from '50 to '51, in same cab, using same amps. Who aren't afraid of being subjective, and just reporting back what their ears are telling them. ![]() |
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Global Depopulation - Alive and Killing.
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Adam_Iron_Horse
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Joined: 02 January 2010 Location: Scotland Status: Offline Points: 2041 |
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Posted: 15 August 2012 at 11:13am |
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Electrikal did that levyte might be worth a gander?
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ceharden
The 10,000 Points Club
Joined: 05 June 2005 Location: Southampton Status: Offline Points: 11851 |
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Posted: 15 August 2012 at 12:04pm |
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Or what their wallet is persuading their ears to tell them! |
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luton_soundman
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Joined: 03 August 2010 Location: Bedfordshire Status: Offline Points: 4550 |
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Posted: 15 August 2012 at 12:06pm |
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+10000! |
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Sound Hire/Sales new/used equipment.
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levyte357-
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Joined: 27 July 2012 Location: UK, South East Status: Offline Points: 8517 |
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Posted: 15 August 2012 at 12:17pm |
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BA '51 price is £348, '50 = £325, ![]() |
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Global Depopulation - Alive and Killing.
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