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make yer own servodrive

Printed From: Speakerplans.com
Category: Plans
Forum Name: New Projects Forum
Forum Description: Forum for new speakerplans projects, in memory of Tony Wilkes, 1953 - 2014
URL: https://forum.speakerplans.com/forum_posts.asp?TID=1954
Printed Date: 26 March 2026 at 7:10pm
Software Version: Web Wiz Forums 12.08 - https://www.webwizforums.com


Topic: make yer own servodrive
Posted By: Rog
Subject: make yer own servodrive
Date Posted: 01 June 2005 at 6:31am

anyone fancy trying this?

http://wanderkolonie.org/servod.htm - http://wanderkolonie.org/servod.htm

seems like a lot of effort to me but you're certainly  one step closer to the brown note if thats yer thing.




Replies:
Posted By: james folkes
Date Posted: 01 June 2005 at 7:50am
Originally posted by biotec biotec wrote:

anyone fancy trying this?

wow, i've not seen that page in years! i do remember pictures of this
cabinet in use in a barbecue environment. it looks wicked, but where do
you get servo motors like that on the cheap? also, the belt/pully
arrangement must be very well engineered.

if i wasn't already finishing 8 midhorns, building 16 basshorns, 2
bandpass subs, 2 4-way horn loaded mid tops, some hf unit housings
and some monitors i'd seriously think about it.

damn, i need wood. got the drivers, just need the wood.

james.

edit: html


Posted By: james folkes
Date Posted: 01 June 2005 at 7:51am
hmm. that html went bad.


Posted By: norty303
Date Posted: 01 June 2005 at 8:03am
missed a '/' out of the last quote tag

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My laser stuff: http://www.facebook.com/SubsonicSystems" rel="nofollow - Frikkin Lasers


Posted By: james folkes
Date Posted: 01 June 2005 at 8:09am
cheers norty! james.


Posted By: tb_mike
Date Posted: 01 June 2005 at 6:01pm
E X C E L L E N T! I was wondering what sort of motors were required!!!!


Posted By: _djk_
Date Posted: 01 June 2005 at 6:58pm

A local sound company has a set of eight ServoDrive BassTech 7s. They require fairly regular work on the belts, idlers, and the PRs as well.

Newer 15s have the same displacement as the PRs do on the BT7, and with XBL^2 technology are very efficient too. A single Atlas 15 will have as much displacement as the two Lab 12 drivers.

I would build a scaled up version of the the B-DEAP design for 15" drivers. The B-DEAP design looks much simpler inside than the Lab-12.



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djk


Posted By: norty303
Date Posted: 01 June 2005 at 7:00pm
I've been curious for a while why PA manufacturers haven't produced drivers like some of the sub drivers i've come across whilst browsing diyaudio forum.  some of them have silly xmax and huge magnets.  Are they simply not as durable for PA applications?

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My laser stuff: http://www.facebook.com/SubsonicSystems" rel="nofollow - Frikkin Lasers


Posted By: LunchieTey
Date Posted: 01 June 2005 at 7:25pm

And rather inefficient. Although the Labs are like this too. Maybe the ridiculous x-max and heavy cones don't like the massive excursion for extended periods of time,unlike movies where it is only for short periods? Don't forget that most commercial cabs are looking at 40-120hz bass and need punch and speed,not 15hz in room extension!

Every sub would basically need to be a folded horn.



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Speaker addict


Posted By: freddyi
Date Posted: 01 June 2005 at 7:50pm
hey DJK - how are new Atlas 15 built? - or is it discontinued - seems like they ditched XBL^2 licence.

how about a diy Geddes lever and good conventional driver?  can this be accomplished  with two regular PR's coupled with alltread? - gotta be easier experiment than diy servodrive !


Posted By: _djk_
Date Posted: 02 June 2005 at 1:46am

The Geddes Lever was very different when it came out, but I don't see a place for it other than as a novelty.

I have no idea as to the new Atlas 15, but MTX is building dual gap drivers with no mention of XBL^2.

Just have to wait and see.



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djk


Posted By: tb_mike
Date Posted: 02 June 2005 at 4:25am
Originally posted by _djk_ _djk_ wrote:

A local sound company has a set of eight ServoDrive BassTech 7s. They require fairly regular work on the belts, idlers, and the PRs as well.

Newer 15s have the same displacement as the PRs do on the BT7, and with XBL^2 technology are very efficient too. A single Atlas 15 will have as much displacement as the two Lab 12 drivers.

I would build a scaled up version of the the B-DEAP design for 15" drivers. The B-DEAP design looks much simpler inside than the Lab-12.

Youve seen the inside of a b deap?howso? Is it how I expect,with a tuned rear chamber tapped into the horn someway down the flare?



Posted By: tb_mike
Date Posted: 02 June 2005 at 4:26am

Originally posted by norty303 norty303 wrote:

I've been curious for a while why PA manufacturers haven't produced drivers like some of the sub drivers i've come across whilst browsing diyaudio forum.  some of them have silly xmax and huge magnets.  Are they simply not as durable for PA applications?

huge xmax,lack of sensitivity.



Posted By: Timber_MG
Date Posted: 02 June 2005 at 4:36am
I thought the B-DEAP was not "tapped" (whatever that may mean but I share the same interpretation as mike) and a conical horn (1/4wavelength somewhere to support 40Hz loading with the external air path)

High excursion drivers will generally sacrifice motor strength (though not always, Adire Tumult is one Yummy contra-sub-bass driver according to Leach math)


Posted By: tb_mike
Date Posted: 02 June 2005 at 5:02am

http://www.danleysoundlabs.com/PB12.html - http://www.danleysoundlabs.com/PB12.html  

The PB-12 has an astounding 10 dB more output in the 20-30 Hz range over Tom's previous Contra Bass design



Posted By: tb_mike
Date Posted: 02 June 2005 at 5:04am

Originally posted by Timber_MG Timber_MG wrote:

I thought the B-DEAP was not "tapped" (whatever that may mean but I share the same interpretation as mike) and a conical horn (1/4wavelength somewhere to support 40Hz loading with the external air path)

High excursion drivers will generally sacrifice motor strength (though not always, Adire Tumult is one Yummy contra-sub-bass driver according to Leach math)

ah now im confused as to which units are actually tapped or just 'external air path'



Posted By: Timber_MG
Date Posted: 02 June 2005 at 5:10am
External air path is the idea of a small mouth on a large baffle as I understand it (i.e. not from room boundary but virtual boundary) and the tapped horn is damping the speaker mechanically where a traditional horn doesn't. However I don't know the trade-offs in the designs and Tom isn't likely to comment on this methinks.


Posted By: tb_mike
Date Posted: 02 June 2005 at 5:24am

Martin - I realise recently in posts we are actually in agreement,but we misunderstand each other.

It doesnt help that its secretive contents are hidden from view,check out the PB12-wheres the horn mouth



Posted By: Timber_MG
Date Posted: 02 June 2005 at 5:38am
Exactly, It's obviously different to what is traditionally understood to be a horn and probably closer to a scoop with a driver and vent(s) terminating somewhere into the "horn". He might also have a long "rear chamber" (like a really tweaked out folded bose cannon)


Posted By: _djk_
Date Posted: 02 June 2005 at 9:36pm

"Youve seen the inside of a b deap?howso? Is it how I expect,with a tuned rear chamber tapped into the horn someway down the flare?"

http://appft1.uspto.gov/netacgi/nph-Parser?Sect1=PTO1&Sect2=HITOFF&d=PG01&p=1&u=%2Fnetahtml%2FPTO%2Fsrchnum.html&r=1&f=G&l=50&s1=%2220040238268%22.PGNR.&OS=DN/20040238268&RS=DN/20040238268 - http://appft1.uspto.gov/netacgi/nph-Parser?Sect1=PTO1&Se ct2=HITOFF&d=PG01&p=1&u=%2Fnetahtml%2FPTO%2Fsrch num.html&r=1&f=G&l=50&s1=%2220040238268%22.P GNR.&OS=DN/20040238268&RS=DN/20040238268

You need a TIFF viewer, click on 'images'.



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djk


Posted By: james folkes
Date Posted: 03 June 2005 at 7:55am
not what i thought was in that box at all, but a very trick arrangement
nevertheless. that's the inside of a contra-bass is it?

james.


Posted By: minaximal
Date Posted: 03 June 2005 at 9:30am

simple and yet brilliant variation on an idea!

but its hard for me being a slight layman to work out what it is he's actually patenting...

seems like he owns the rights to 0.5pi corner loading!?



Posted By: Timber_MG
Date Posted: 03 June 2005 at 9:40am
Not quite, this is the B-DEAP, not the Contrabass.

Anyone know of a good TIFF plugin for Firefox that doesn't need registration / give up contact details for and evaluation version.


Posted By: Centauri
Date Posted: 03 June 2005 at 9:44am
Originally posted by Timber_MG Timber_MG wrote:

Anyone know of a good TIFF plugin for Firefox that doesn't need registration / give up contact details for and evaluation version.


I use http://www.alternatiff.com/ - AlternaTIFF - works well with Firefox.

Cheers
Graeme


Posted By: _djk_
Date Posted: 03 June 2005 at 3:58pm

"simple and yet brilliant variation on an idea!"

I think so too!

"but its hard for me being a slight layman to work out what it is he's actually patenting..."

Its pending, it has yet to be granted. Claims are usually as broad as possible at this stage, what they grant is a different story.

"seems like he owns the rights to 0.5pi corner loading!?"

Klipsch made similar claims for his Klipschorn, I don't think the Danley patent will be issued as written.



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djk


Posted By: Timber_MG
Date Posted: 03 June 2005 at 4:13pm
I am still not quite clear how he gets such huge directivity at LF, but if the measurements were made in the farfield, then the results speak for themselves. A baffle and altered terminus for the kick horn anyone?

Perhaps he could sell his soul and get the Böse legal team loose on his patent ;-)

Actually, it's about time Amar has his little .... claim .... set aside for good (alone for not being able to make them sound half-good at the asking price)


Posted By: tb_mike
Date Posted: 03 June 2005 at 9:38pm

Wonder if the driver is lab12 moded or TCsounds super woofer

The internal folding is nothing special,its the simplest concept to use the enclosure as the boundary



Posted By: _djk_
Date Posted: 04 June 2005 at 2:50pm

I think it is a varient of the Lab-12 driver.

In 10+ quantity the Lab-12 may be had for $115 in the USA.



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djk


Posted By: Timber_MG
Date Posted: 04 June 2005 at 4:09pm
That is silly money really. The local distributor wanted more than thrice that last time I enquired.


Posted By: _djk_
Date Posted: 05 June 2005 at 6:08pm

"That is silly money really. The local distributor wanted more than thrice that last time I enquired. "

I agree, try and find something available locally that is equivalent and reasonable price.

The driver in the Punisher looks good too.



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djk


Posted By: tb_mike
Date Posted: 05 June 2005 at 11:49pm
Quote The driver in the Punisher looks good too.


I hope their not lying about the Xmax,its the highest ive seen on a prosound high Xmech driver,note the sensitivity is low so it could be true.





Posted By: Contour
Date Posted: 06 June 2005 at 3:46am

Caire 12.00SW has 33mm long voicecoil and 10mm thick pole plate.

Best regards,

Walt

 



Posted By: tb_mike
Date Posted: 06 June 2005 at 7:45pm
Originally posted by Contour Contour wrote:

Caire 12.00SW has 33mm long voicecoil and 10mm thick pole plate.

Best regards,

Walt

 

Thanks walt,it certainly is a different prosound driver. Kind of like a lightweight cone lab12?




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