![]() |
Valuable skills for soundystem? |
Post Reply
|
Page <12 |
| Author | ||
KDW32
Young Croc
Joined: 09 April 2010 Location: Green Hell Status: Offline Points: 770 |
Post Options
Thanks(0)
Quote Reply
Posted: 20 December 2025 at 6:36pm |
|
|
I learnt a hell of lot from the Yamaha guide to sound reinforcement back in the day
|
||
![]() |
||
Robbo
Old Croc
Joined: 05 December 2005 Location: Shropshire Status: Offline Points: 4297 |
Post Options
Thanks(0)
Quote Reply
Posted: 21 December 2025 at 10:01am |
|
|
Very important item that you missed off your list above is a PP3 battery as they can be used for quickly checking that speakers and drivers are working OK and also checking that drivers and cabinets are in phase with one another----also handy to have a couple of short NL4 to four tails and NL8 to eight tails for using with the PP3
|
||
![]() |
||
jacethebase
Old Croc
Joined: 23 September 2009 Location: Somerset Status: Offline Points: 5837 |
Post Options
Thanks(0)
Quote Reply
Posted: 21 December 2025 at 1:53pm |
|
|
My 2 pence.
It sounds like you aren't far away from the right path at present. You really have to pay your dues unless you are very lucky. When I was 18 and starting out I used to contact the production company's coming through the local big venue. Mainly all night dance events. Started off helping with the lighting as theres always more to do labour wise on that side. Then stacking speakers unloading / loading speakers on trucks and vans etc. then opping rooms and running patch. Last thing that you will get trusted with is tuning systems, trouble shooting etc. I am very much on the other side of the coin now and I need to know someone has a great amount of experience before I put them on an Audio role that isn't humping and bumping. It’s one of those roles thats easy to blag your way on too but you can come unstuck very fast! So in short, pay your dues, stack the boxes, sap everyone around yous knowledge. But be patient it. You are not going to get trusted quickly. And as said above, Reliability! From the point of view of someone running a company its better to know that no one is coming than get let down by someone. If I get let down once with no valid reason thats it. Be on time every time. You dont have to be the best but you have to be there. This is the events industry not the building industry tomorrow wont do!
Edited by jacethebase - 21 December 2025 at 1:56pm |
||
|
www.wedding-production.co.uk
www.stage2sound.com |
||
![]() |
||
fatfreddiescat
Young Croc
Joined: 15 October 2010 Location: N.E.Wales Status: Offline Points: 1128 |
Post Options
Thanks(0)
Quote Reply
Posted: 21 December 2025 at 2:37pm |
|
|
And stay sober for the load out
|
||
![]() |
||
madboffin
Old Croc
Joined: 03 July 2009 Location: Milton Keynes Status: Offline Points: 1720 |
Post Options
Thanks(0)
Quote Reply
Posted: 21 December 2025 at 4:03pm |
|
|
It's not clear from your original post whether you are getting into general audio tech work or Caribbean style "Sound System" although most of the answers apply to both. One thing I always did was to plan to arrive half an hour before a call time. That way, if you are delayed by unexpected traffic etc you will (hopefully) still be on time. Timekeeping is very important in the events industry because all jobs have to be completed to strict deadlines. If a technician arrives late and delays the fit-up, it's not just their job on the line (probably lost for good) but also the sound and production companies' jobs. And maybe the promoter's too. Keeping an audience waiting for a late start is bad enough but most events have a curfew and the show can't over run to make up for it. Edited by madboffin - 21 December 2025 at 4:04pm |
||
![]() |
||
Earplug
Old Croc
Joined: 03 January 2012 Location: Europe Status: Offline Points: 7752 |
Post Options
Thanks(0)
Quote Reply
Posted: 22 December 2025 at 7:55am |
|
Do you mean load in at the end of the night? That is usually more of a problem!! ![]() |
||
|
Earplugs Are For Wimps!
|
||
![]() |
||
Earplug
Old Croc
Joined: 03 January 2012 Location: Europe Status: Offline Points: 7752 |
Post Options
Thanks(0)
Quote Reply
Posted: 22 December 2025 at 7:57am |
|
|
"a PP3 battery as they can be used for quickly checking" +100 A very useful bit of kit that has a dozen uses. ![]() |
||
|
Earplugs Are For Wimps!
|
||
![]() |
||
fudge22
Registered User
Joined: 26 July 2022 Location: UK Status: Offline Points: 263 |
Post Options
Thanks(0)
Quote Reply
Posted: 23 December 2025 at 9:39pm |
|
To put the above more succinctly, if you are fitting in with an established team you should try to fit in with their workflow. No one on this forum can tell you exactly what that is. The best people to learn from are those you are working with. Even if you already have some experience, there is always more than one way to do something, and presumably theirs is working, so you need to adapt to the team. Random tips off the internet won’t get you far. That is all you really need to know. As for the rest. At the moment, you won’t need a tool kit. The people you are working for should have everything. Plus, you are at gigs to provide sound, not repair badly maintained equipment. You will not be able to fix a faulty amplifier, so it comes down to mending cables. It is easier and quicker to have some spare, which you can just swap out. It is impossible to completely eliminate stuff going wrong, but with good preparation it can be minimised. It may be worth getting some decent footwear and gloves everything else, you can acquire over time as and when/if you need it. With regards reading and theory. If it is something that you enjoy go ahead, but it is not critical. Based on an admittedly small sample size of several, the average DJ gets by with very little technical knowledge. If all you want to do is set up some audio equipment and playback music, an in depth knowledge of audio theory is not essential, except perhaps the user manual of the gear that you are using. Re: The EV PA Bible Earplug is correct, it is old (1979), and the laws of physics haven’t changed. Unfortunately, it contains very little physics and the systems it describes have changed. I’m not sure how many here are doing sound as a hobby, but the stuff about punctuality, reliability and being sober applies to any job.
Can we infer from this that the income from the audio business is not sufficient to afford a reliable vehicle? |
||
![]() |
||
Post Reply
|
Page <12 |
| Tweet |
| Forum Jump | Forum Permissions ![]() You cannot post new topics in this forum You cannot reply to topics in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum |