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Valuable skills for soundystem?

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KDW32 View Drop Down
Young Croc
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Post Options Post Options   Thanks (0) Thanks(0)   Quote KDW32 Quote  Post ReplyReply Direct Link To This Post Posted: 20 December 2025 at 6:36pm
I learnt a hell of lot from the Yamaha guide to sound reinforcement back in the day 

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Robbo View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Robbo Quote  Post ReplyReply Direct Link To This Post Posted: 21 December 2025 at 10:01am
Very important item that you missed off your list above is a PP3 battery as they can be used for quickly checking that speakers and drivers are working OK and also checking that drivers and cabinets are in phase with one another----also handy to have a couple of short NL4 to four tails and NL8 to eight tails for using with the PP3
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jacethebase View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jacethebase Quote  Post ReplyReply Direct Link To This Post Posted: 21 December 2025 at 1:53pm
My 2 pence.

It sounds like you aren't far away from the right path at present.

You really have to pay your dues unless you are very lucky. When I was 18 and starting out I used to contact the production company's coming through the local big venue. Mainly all night dance events. Started off helping with the lighting as theres always more to do labour wise on that side. Then stacking speakers unloading / loading speakers on trucks and vans etc. then opping rooms and running patch. Last thing that you will get trusted with is tuning systems, trouble shooting etc.

I am very much on the other side of the coin now and I need to know someone has a great amount of experience before I put them on an Audio role that isn't humping and bumping. 

It’s one of those roles thats easy to blag your way on too but you can come unstuck very fast!

So in short, pay your dues, stack the boxes, sap everyone around yous knowledge. But be patient it. You are not going to get trusted quickly.

And as said above, Reliability! From the point of view of someone running a company its better to know that no one is coming than get let down by someone. If I get let down once with no valid reason thats it. 
Be on time every time. You dont have to be the best but you have to be there. This is the events industry not the building industry tomorrow wont do!


Edited by jacethebase - 21 December 2025 at 1:56pm
www.wedding-production.co.uk

www.stage2sound.com
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fatfreddiescat View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote fatfreddiescat Quote  Post ReplyReply Direct Link To This Post Posted: 21 December 2025 at 2:37pm
And stay sober for the load outThumbs Up
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madboffin View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote madboffin Quote  Post ReplyReply Direct Link To This Post Posted: 21 December 2025 at 4:03pm
It's not clear from your original post whether you are getting into general audio tech work or Caribbean style "Sound System" although most of the answers apply to both.

One thing I always did was to plan to arrive half an hour before a call time. That way, if you are delayed by unexpected traffic etc you will (hopefully) still be on time.

Timekeeping is very important in the events industry because all jobs have to be completed to strict deadlines. 
If a technician arrives late and delays the fit-up, it's not just their job on the line (probably lost for good) but also the sound and production companies' jobs. And maybe the promoter's too. Keeping an audience waiting for a late start is bad enough but most events have a curfew and the show can't over run to make up for it.





Edited by madboffin - 21 December 2025 at 4:04pm
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Earplug View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Earplug Quote  Post ReplyReply Direct Link To This Post Posted: 22 December 2025 at 7:55am
Originally posted by fatfreddiescat fatfreddiescat wrote:

And stay sober for the load outThumbs Up



Do you mean load in at the end of the night? That is usually more of a problem!!   Embarrassed




Earplugs Are For Wimps!
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Old Croc
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Earplug Quote  Post ReplyReply Direct Link To This Post Posted: 22 December 2025 at 7:57am
"a PP3 battery as they can be used for quickly checking"

+100

A very useful bit of kit that has a dozen uses.   Smile


Earplugs Are For Wimps!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote fudge22 Quote  Post ReplyReply Direct Link To This Post Posted: 23 December 2025 at 9:39pm
Quote Patience, a passion, humility and an appreciation that you're in it for the long game will get you the trust you must start with. Everything else will come. If you go to hard to fast the sound man might think you're "taking over" their long learnt skill set. Being able to string up though is really valuable as long as you first leave it to them to fault find (or get it right in the first place) fault finding someone else's system is best to keep out of until you have their complete trust and really know the kit inside out otherwise you just become another person telling everyone else how best to light the fire...


To put the above more succinctly, if you are fitting in with an established team you should try to fit in with their workflow. No one on this forum can tell you exactly what that is. The best people to learn from are those you are working with.

Even if you already have some experience, there is always more than one way to do something, and presumably theirs is working, so you need to adapt to the team. Random tips off the internet won’t get you far. That is all you really need to know.

As for the rest.

At the moment, you won’t need a tool kit. The people you are working for should have everything. Plus, you are at gigs to provide sound, not repair badly maintained equipment. You will not be able to fix a faulty amplifier, so it comes down to mending cables. It is easier and quicker to have some spare, which you can just swap out. It is impossible to completely eliminate stuff going wrong, but with good preparation it can be minimised.

It may be worth getting some decent footwear and gloves everything else, you can acquire over time as and when/if you need it.

With regards reading and theory. If it is something that you enjoy go ahead, but it is not critical. Based on an admittedly small sample size of several, the average DJ gets by with very little technical knowledge. If all you want to do is set up some audio equipment and playback music, an in depth knowledge of audio theory is not essential, except perhaps the user manual of the gear that you are using.

Re: The EV PA Bible Earplug is correct, it is old (1979), and the laws of physics haven’t changed. Unfortunately, it contains very little physics and the systems it describes have changed.

I’m not sure how many here are doing sound as a hobby, but the stuff about punctuality, reliability and being sober applies to any job.

Quote If you're determined, then get a pro mechanic as your No. 1 crew.


Can we infer from this that the income from the audio business is not sufficient to afford a reliable vehicle?
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